Lecture IV : Romantic composers
Chopin:
Solo become important than orchestra (accompany) - because he lacks of orchestral knowledge
Balance between the solo line (he is a master)
Virtuoso composer (influenced by Mozart)
Classical concerto form
Polish, Chromaticism
No Cadenza
Chopin Piano
Concerto op. 13
Chopin Piano
Concerto op. 21 in f minor
Liszt:
piano leading the orchestra (influenced by Beethoven)
He is both virtuoso and symphonic style
Solo role - Rubato
One movement (4 themes) - Cadenza connect each sections
Liszt Piano
Concerto in A
Liszt Piano
Concerto in Eb
Brahms:
He is very complex (both classical and romantic)
Thematic contrast, transformation (influenced by Schumann)
Double exposition
Symphonic integration of solo and orchestra
Equal between solo and orchestra
Brahmas Piano
Concerto in Bb major, op. 83
Schumann:
Thematic transformation, variation
Thematic metamorphosis (throughout 3 movements)
Solo exposition (double exposition)
Solo answered in a remote key (influenced by Beethoven)
He is discomfort of Sonata form
There are using the same theme, but not thematic contrast
Schumann Piano
Concerto op. 54 in a minor
First movement: a minor - Ab - A major (Contrapuntal, transposition)
Third movement: Sonata Rondo (Variation, different color of instruments), Coda: march-like
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Russian Composers |