Lecture I : Sonata Structure and Variation Technique

Lecture II : The Binary Sonata

Lecture III : The German Baroque Master

Lecture IV : Transition to the Classical Style

Lecture V : Wolfgang Amadeus Mozart (1756-1791)

Lecture VI : Proto-Romanticism in London, Prague and Vienna

Lecture VII : Ludwig van Beethoven (1770-1827)

Lecture VIII : Early German Romanticism

Lecture IX : Parisian Romanticism

Lecture X : Later German Romanticism

Lecture XI : European Nationalism and Neoclassicism

Lecture XII : French and Russian Piano Music 1850-1950

Lecture XIII : American Music, Jazz, and Atonality

Lecture XIV : Film Music; Piano Ensemble and Concerto-Variation Works

Lecture I : What is Concerto?

Lecture II : Mozart

Lecture III : Beethoven

Lecture IV : The concerto after Beethoven

Lecture V : Russian composers

Lecture VI : Ravel, Bartok

Lecture VII : Schonberg, Barber

Lecture I : Beethoven and Schubert

Lecture II : Schumann

Lecture III : Brahms

Lecture IV : Chopin

Lecture V : Liszt

Lecture VI : Scriabin and Debussy Preludes

Lecture VII : Granados and Albeniz

Lecture I : Introduction

Lecture II : The Suite

Lecture III : Schubert and Chopin

Lecture IV : Liszt and Brahms

Lecture V : Debussy, Ravel and Schonberg

Lecture I : France

Lecture II : In the America: USA

Lecture III : Russia

Lecture IV : Spain

Lecture V : Other Composers